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Five Arts — 五術

Vaastu Shastra

瓦斯圖建築學

The Indian Science of Sacred Space — aligning built environments with cosmic forces.

印度神聖空間科學——將建築環境與宇宙力量對齊。

Overview

概述

Vaastu Shastra (वास्तु शास्त्र, "Science of Dwelling") is the ancient Indian science of spatial arrangement, architecture, and geomancy. Rooted in the Vedic tradition — with foundational texts in the Sthapatya Veda (a subdivision of the Atharva Veda) — Vaastu establishes principles for designing homes, temples, cities, and any built environment so that the structure harmonises with the five elements (Pancha Bhoota: Space, Air, Fire, Water, Earth), the eight directional guardians (Dikpalas), and the cosmic life force (Prana) that flows through all living spaces. As the Indian counterpart to Chinese Feng Shui (風水), Vaastu shares the core principle that the built environment is not neutral — its orientation, proportions, room placement, and entry points either support or impede the flow of beneficial energy through the lives of its inhabitants. Within the Liuren Fajiao platform, Vaastu Shastra is one of four major Feng Shui school groups available in the Feng Shui Studio, reflecting the platform's integration of both Sinosphere and Indosphere spatial sciences.

瓦斯圖建築學(Vaastu Shastra,वास्तु शास्त्र,「居所之科學」)是古印度的空間佈局、建築與地理學科學。其根源於吠陀傳統——奠基典籍見於阿闥婆吠陀的分支《建築吠陀》(Sthapatya Veda)——Vaastu為家宅、廟宇、城市及一切建築環境建立原則,使建築與五大元素(Pancha Bhoota:空、風、火、水、土)、八方守護神(Dikpalas)及流貫所有生活空間的宇宙生命力(普拉納,Prana)相和諧。作為中國風水(風水)的印度對應體系,Vaastu共享核心原則:建築環境並非中性——其方位、比例、房間佈局與入口要麼促進、要麼阻礙有益能量在居住者生命中的流動。在六壬法教平台中,瓦斯圖建築學是風水工作室四大風水流派之一,反映了平台對中華圈與印度圈空間科學的融合。


Vastu Purusha Mandala — The Sacred Grid

瓦斯圖普魯沙曼陀羅——神聖格網

The theoretical foundation of Vaastu is the Vastu Purusha Mandala — a metaphysical grid superimposed on any site or building plot. "Vastu Purusha" (वास्तु पुरुष) is the cosmic man (Purusha) whose body lies prostrate on the site, face down, with the head pointing Northeast. Every architectural plan must account for the placement of this cosmic being's body parts — to build over sensitive areas (the head, heart, or navel) without proper ritual and spatial measures invites disturbance to the site's energy. The standard grid used is the Paramasaayika Mandala — a 9×9 = 81-square grid. The central 9 squares (a 3×3 area at the centre) constitute the Brahmasthana (ब्रह्मस्थान, "Place of Brahma") — the sacred, open centre of the site that must never be built upon, loaded with heavy structures, or obstructed. The Brahmasthana is the axis mundi of the site, gathering and distributing Prana to all surrounding spaces. The 45 presiding deities (Vastu Devatas) are mapped across the 81 squares, each governing specific sectors; a Vaastu plan respects these placements by aligning room functions with the appropriate deity's domain. Source: Manasara (मानसार), Chapter 2 — on the Vastu Purusha Mandala and its proportions.

瓦斯圖的理論基礎是瓦斯圖普魯沙曼陀羅——疊加於任何場地或建築地塊上的形而上學格網。「瓦斯圖普魯沙」(Vastu Purusha,वास्तु पुरुष)是宇宙人(普魯沙,Purusha),其身體俯臥於場地上,面朝下,頭部指向東北。每個建築平面圖必須考慮這位宇宙存在的身體部位的位置——在敏感區域(頭部、心臟或肚臍)上建造而未進行適當的儀式和空間措施,會擾動場地的能量。使用的標準格網是Paramasaayika曼陀羅——9×9=81格網。中央9個方格(中心的3×3區域)構成梵天之所(Brahmasthana,ब्रह्मस्थान)——場地的神聖開放中心,絕不可建造其上、承載重型結構或阻擋。梵天之所是場地的世界軸心,聚集普拉納並向所有周圍空間分配。四十五位主宰神(Vastu Devatas)分佈於81個方格中,各自管轄特定區域;瓦斯圖規劃通過將房間功能與相應神祇的領域對齊來尊重這些佈置。Source: Manasara(मानसार),第2章——論瓦斯圖普魯沙曼陀羅及其比例。

Pancha Bhoota Room Placement

五大元素房間佈局

Vaastu Shastra assigns each direction to one of the five elements (Pancha Bhoota) and specifies which room functions are most consonant with that elemental energy: Northeast (Ishanya, ईशान्य) — governed by the Water element (Jala) and the deity Ishana (a form of Shiva). This is the most sacred direction: the ideal location for the prayer room (Pooja Mandir), meditation space, and the main entrance. The gentle morning sun and the open energy of Water make this direction receptive and spiritually alert. Southeast (Agneya, आग्नेय) — governed by the Fire element (Agni). The ideal location for the kitchen, boiler, generator, and all heat-producing functions. Placing fire in its natural directional home prevents health disturbances and ensures that the cook (traditionally facing East while cooking) operates in energetic alignment. Southwest (Nairutya, नैऋत्य) — governed by the Earth element (Prithvi). Heavy, stable, and grounding — the ideal location for the master bedroom and heavy storage. The Earth energy here supports the head of household's stability, authority, and longevity. Northwest (Vayavya, वायव्य) — governed by the Air element (Vayu). The direction of movement, change, and temporary stays — ideal for guest bedrooms, bathrooms, or storage of items that cycle in and out. Centre (Brahmasthana) — governed by the Space element (Akasha). Must be kept open, light, and unobstructed. A courtyard (Aangan) or light well at the centre is the classical Vaastu solution for the Brahmasthana in traditional Indian architecture. Source: Vastu Vidya (वास्तु विद्या), on directional element assignments.

瓦斯圖建築學將每個方向分配給五大元素(Pancha Bhoota)之一,並指定哪些房間功能與該元素能量最為契合:東北(Ishanya,ईशान्य)——由水元素(Jala)與神祇伊萨納(Ishana,濕婆的一種形式)主宰。這是最神聖的方向:祈禱室(Pooja Mandir)、冥想空間和主入口的理想位置。溫和的晨光和水的開放能量使這個方向具有接納性和靈性敏銳度。東南(Agneya,आग्नेय)——由火元素(Agni)主宰。廚房、鍋爐、發電機和一切產熱功能的理想位置。將火放置在其自然方向之家中可防止健康干擾,並確保廚師(傳統上朝東烹飪)在能量對齊的環境中工作。西南(Nairutya,नैऋत्य)——由土元素(Prithvi)主宰。重厚、穩定、紮根——主臥室和重型儲物的理想位置。這裡的土地能量支持戶主的穩定性、權威與長壽。西北(Vayavya,वायव्य)——由風元素(Vayu)主宰。運動、變化和臨時停留的方向——非常適合客臥室、浴室或循環進出的物品儲存。中央(Brahmasthana)——由空間元素(Akasha)主宰。必須保持開放、光亮和暢通。在傳統印度建築中,中庭(Aangan)或採光井是梵天之所的古典瓦斯圖解決方案。Source: Vastu Vidya(वास्तु विद्या),論方向元素分配。

Dikpalas — The Eight Directional Guardians

方位守護神——八方守護主

Eight directional guardians (Dikpalas or Ashtadikpalas, अष्टदिक्पाल) preside over the eight compass directions in the Vaastu system. Knowing which deity governs each direction allows the architect to design entry points, room placements, and ritual features that invoke auspicious divine energy: East (Purva) — Indra (इन्द्र), king of the devas, ruler of rain and vitality. Entry from the East channels Indra's energy of strength and prosperity. Southeast (Agneya) — Agni (अग्नि), the fire deity and cosmic messenger. South (Dakshina) — Yama (यम), lord of death and dharmic justice. The South is the direction of ancestors; main entrances and sleeping positions facing South are generally avoided. Southwest (Nairutya) — Nirrti (निर्ऋति), deity of dissolution and chaos. This corner must be kept heavy and closed to suppress its dissolving influence. West (Pashchima) — Varuna (वरुण), lord of cosmic waters and the night sky. Northwest (Vayavya) — Vayu (वायु), the wind deity. North (Uttara) — Kubera (कुबेर), lord of wealth and the treasury. Entry from the North is highly auspicious for financial prosperity and material abundance. Northeast (Ishanya) — Ishana (ईशान, Shiva in his benevolent form), lord of knowledge and spirituality. The most auspicious direction for sacred space and learning. Source: Manasara (मानसार), Chapter 3 — on the Dikpalas and directional assignments.

八位方位守護神(Dikpalas或Ashtadikpalas,अष्टदिक्पाल)在瓦斯圖體系中主宰八個羅盤方向。了解哪位神祇主宰每個方向,使建築師能夠設計入口、房間佈局和儀式特徵,以召喚吉祥的神聖能量:東方(Purva)——因陀羅(Indra,इन्द्र),天神之王,雨水與生命力的主宰。從東方進入引導因陀羅的力量與繁榮能量。東南(Agneya)——阿耆尼(Agni,अ耆尼),火神與宇宙使者。南方(Dakshina)——閻摩(Yama,यम),死亡與法性公正之主。南方是祖先的方向;面向南方的主要入口和睡眠位置通常要避免。西南(Nairutya)——尼里提(Nirrti,निर्ऋति),解散與混沌的神祇。這個角落必須保持沉重和封閉,以壓制其溶解性影響。西方(Pashchima)——伐樓拿(Varuna,वरुण),宇宙水域與夜空之主。西北(Vayavya)——伐由(Vayu,वायु),風神。北方(Uttara)——俱毗羅(Kubera,कुबेर),財富與寶庫之主。從北方進入對財務繁榮和物質豐盛非常吉祥。東北(Ishanya)——伊萨納(Ishana,ईशान,濕婆的仁慈形式),知識與靈性之主。最吉祥的神聖空間和學習方向。Source: Manasara(मानसार),第3章——論方位守護神與方向分配。

Regional Variations: Tamil vs. North Indian Vaastu

地域變體:南印度與北印度瓦斯圖之別

While shared in principle, Indian spatial science diverges into two primary schools: the North Indian tradition and the Tamil Siddhar tradition (often linked to the Mayamata and Aindram). A key distinction is orientation: North Indian Vaastu typically utilizes Magnetic North (compass-based), whereas Tamil Vastu prioritises True North (geographical/solar-based). Furthermore, Tamil Vastu emphasizes tropical climatic adaptations such as the central courtyard (Thinnai) for ventilation, and specific Agama laws that govern the placement of ritual elements within the 9x9 Vastu Purusha Mandala.

雖然基本原則一致,但印度空間科學分為兩大流派:北印度傳統與南印度(泰米爾)悉達傳統(多與《瑪雅瑪塔》和《愛因德拉姆》相關)。關鍵區別在於方位:北印度瓦斯圖通常使用磁北(基於指南針),而泰米爾瓦斯圖則優先考慮真北(基於地理或太陽)。此外,泰米爾瓦斯圖強調熱帶氣候的適應性,例如用於通風的中央庭院(Thinnai),以及規範 9x9 瓦斯圖曼陀羅(Vastu Purusha Mandala)內祭祀元素佈置的特定阿含經(Agama)法則。

Entry Doors and Auspicious Orientations

入口門位與吉祥朝向

The main entrance (Dwara, द्वार) of a building is the primary conduit through which external Prana enters the built environment. Vaastu identifies auspicious entry positions by dividing each wall of the structure into nine equal segments (Pada) and assigning each Pada to one of the presiding Vastu Devatas. Among these, the most auspicious entry positions are: North-facing entrances in the Kubera zone (4th or 5th Pada from the East on the North wall) — Kubera's direction channels wealth, stability, and material good fortune into the home. This is the single most recommended main entrance in Vaastu for households seeking prosperity. East-facing entrances in the Indra zone (4th or 5th Pada from the North on the East wall) — Indra's direction channels health, vitality, and social standing. Particularly beneficial for public-facing institutions and homes of leaders. West-facing and South-facing main entrances (into Varuna or Yama zones respectively) are generally considered inauspicious for residential use and require compensating measures such as specific proportions, colours, Vastu Devata worship, and protective threshold symbols (Kolam/Rangoli). The relationship between Vaastu entry analysis and Chinese Ba Zhai (八宅) facing-direction analysis reveals a structural parallel: both systems identify that the facing direction of the main door activates either beneficial or harmful energetic influences from the occupant's energetic profile. Source: Vishvakarma Prakash (विश्वकर्मा प्रकाश), on door placement and Pada analysis.

建築的主入口(Dwara,द्वार)是外部普拉納進入建築環境的主要通道。瓦斯圖通過將建築每面牆劃分為九個等份(Pada)並將每個Pada分配給一位主宰瓦斯圖神祇來確定吉祥入口位置。其中,最吉祥的入口位置為:面北入口在俱毗羅區域(北牆從東側第4或第5個Pada)——俱毗羅的方向將財富、穩定和物質好運引入家中。這是瓦斯圖中為尋求繁榮的家庭推薦的首選主入口。面東入口在因陀羅區域(東牆從北側第4或第5個Pada)——因陀羅的方向引導健康、活力和社會地位。特別有益於面向公眾的機構和領導者的家庭。面西和面南的主入口(分別進入伐樓拿或閻摩區域)通常被認為對住宅用途不吉,需要補償措施,如特定比例、顏色、瓦斯圖神祇禮拜和保護性門檻符號(Kolam/Rangoli)。瓦斯圖入口分析與中國八宅朝向分析之間的關係揭示了結構上的平行:兩個體系都認定,主門的朝向方向從居住者的能量輪廓中激活有益或有害的能量影響。Source: Vishvakarma Prakash(विश्वकर्मा प्रकाश),論門位置與Pada分析。

Vaastu and Chinese Feng Shui — Comparative Principles

瓦斯圖與中國風水——比較原則

Vaastu Shastra and Chinese Feng Shui represent independent developments of the universal insight that spatial arrangement profoundly affects the wellbeing of inhabitants. Both systems work with compass directions, elemental correspondences, and the identification of auspicious and inauspicious zones within a space — yet their metaphysical frameworks differ significantly. Feng Shui maps the flow of Qi (氣) through landforms, building orientation, and interior arrangement; Vaastu maps the flow of Prana (प्राण) — the Indian equivalent of Qi — through elemental and directional correspondences rooted in the Vedic cosmological grid. Where Feng Shui uses the eight trigrams (八卦) and Flying Stars (飛星) to analyse temporal and spatial energy shifts, Vaastu uses the Vastu Purusha Mandala and Dikpalas to establish a fixed cosmological framework. Both systems agree on the paramount importance of the central zone: Feng Shui's Tai Ji (太極) centre of the Ba Gua maps directly to the Brahmasthana in Vaastu — both must be open, unobstructed, and energetically clear. Within the Liuren Fajiao lineage's Feng Shui Studio, Vaastu assessment is offered alongside Ba Zhai, Xuan Kong Flying Stars, and Fu Xing Shui Fa — recognising that practitioners and clients from the Indosphere may find Vaastu's framework the most culturally resonant approach to their spatial practice.

瓦斯圖建築學與中國風水代表了「空間佈局深刻影響居住者福祉」這一普世洞見的獨立發展。兩個體系都使用羅盤方向、元素對應,以及在空間內識別吉祥與不吉祥區域——然而其形而上學框架存在顯著差異。風水通過山形地貌、建築朝向和室內佈局來映射氣(Qi)的流動;瓦斯圖通過根植於吠陀宇宙格網的元素與方向對應來映射普拉納(Prana,印度的氣等同物)的流動。風水使用八卦和飛星分析時空能量轉換;瓦斯圖使用瓦斯圖普魯沙曼陀羅和方位守護神建立固定的宇宙論框架。兩個體系都認同中心區域的至高重要性:風水的太極中心對應瓦斯圖的梵天之所——兩者都必須保持開放、暢通和能量清晰。在六壬法教傳承的風水工作室中,瓦斯圖評估與八宅、玄空飛星和伏星水法並列提供——認識到來自印度文化圈的修行者和客戶可能發現瓦斯圖的框架是其空間修行中文化上最具共鳴的方法。


Classical Sources

古典文獻

Manasara

曼納薩拉

Source: Manasara (मानसार), Sanskrit treatise, c. 5th–7th century CE

One of the most comprehensive classical Vaastu texts, covering the full theory of the Vastu Purusha Mandala, proportions (Talamana), directional assignments, temple architecture, and town planning. The definitive reference for traditional Vaastu practitioners.

Mayamata

瑪雅瑪塔

Source: Mayamata (मयमत), attributed to the divine architect Maya, c. 5th–12th century CE

A foundational Vaastu and architectural treatise covering site selection, proportions, the Vastu Purusha Mandala, and the construction of temples and palaces. Along with Manasara, it is one of the two most authoritative classical Vaastu texts.

Vishvakarma Prakash

維斯瓦卡爾馬之光

Source: Vishvakarma Prakash (विश्वकर्मा प्रकाश), attributed to the divine craftsman Vishvakarma

A classical Vaastu text attributed to Vishvakarma, the divine architect of the gods. Covers practical aspects of house construction, door placement (Pada analysis), measurements, and protective ritual measures for residential and commercial buildings.


相關體系